Writing strategy

For some time, I’ve been trying to find a way to easily share the bare bones of the writing strategy I use when I write and when I teach it.

Here’s one attempt – and I really don’t know how well it will work.

Your feedback will always be appreciated. (with apologies to my talented designer friends).

Nonfiction Writing Plan

What is the Value of an Editor?

Thanks to some fellow editors who introduced me to Molly McCowan’s blog, I want to share this with you, to encourage you to really consider just how much a good editor can add to your writing.

Enjoy – and remember to leave a comment.

Molly McCowan - Inkbot Editing

(Via Boston Public Library on Flickr) “Women in Quiet Study,” 1850–1920 (approximate). Courtesy of Boston Public Library on Flickr.

About a year ago, I was at a networking event when I was approached by a middle-aged man wearing a black sport coat over a lightweight periwinkle sweater. He was holding a glass of red wine in one hand, and the word “author” was written in blue Sharpie underneath the neatly printed name on his name tag. My name tag didn’t sport the word “editor,” so for the moment I was free to learn more about him before divulging my career.

We shook hands and exchanged small talk for a moment before I asked him what he was currently writing. He responded, “Oh, I’ve been working on my second novel. It’s part of a fantasy trilogy that I’ve been writing for the last few years.” I asked him about his first book and discovered that he had…

View original post 1,166 more words

Editors turn the ordinary into the extraordinary

Whenever we write, we become attached to our writing, and it can then be difficult to review our work objectively.

Possibly we’ve forgotten to answer three basic questions we need to ask before we write:

  • Why am I writing this? What do I want this to achieve?
  • Who will read this? How familiar will they be with the subject and the terminology?
  • What is my call to action? What do I want my readers to understand or do?

That’s where an editor can help.

Editors haven’t as much invested in the document as does the writer: editors want to help you achieve your writing objectives.

  1. Editors maintain a distance and can see both the overall picture and the details. This allows me to check that you have answered those three basic questions.
  2. Editors review the logical progression of your argument, the flow of the story you’re telling.
  3. Editors check that your language style, use of specialised terms and illustrations are appropriate to your audience.
  4. Editors assess the effectiveness of the presentation of your document and its readability.
  5. Editors deal with the ‘nitty-gritty’ – spelling, grammar, punctuation, consistency of headings, fonts, colours, terminology, etc.

So often it’s our familiarity with our writing that hinders us from delivering our message as clearly and succinctly as we can. Perhaps we’ve struggled to find a word that exactly fits, or a better way to express a concept.

An experienced editor makes suggestions that will have you saying, ‘Yes, that’s what I meant to say.’

But remember, a good editor

  •  always respects your voice – you still want your writing to sound as though you’ve written it.
  • only makes suggestions – if you don’t like the suggested change, you don’t have to accept it.
  • works with you to create an extraordinary document.

Your editor is your collaborator.

While a trusted colleague will often contribute valuable advice, it’s the editor’s experience and expertise in how ‘writing’ works, rather than the subject area, that gives that extra sharpness to your writing.

More tips to sharpen your writing are always available on my website.

Do you have any experiences (good or bad) with an editor that you’d like to share?

Brisbane editor and proofreader
Editors collaborate